CLASSIC RESTROSPECTIVE
Michael Powell (Great Britain, 1905-1990)
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Rynox, (1931)
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His
Lordship, (1932) |
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Hotel
Splendide, (1932) |
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The
Fire Raisers, (1933) |
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Red
Ensign, (1934) |
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Something
Always Happens, (1934) |
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The
Love Test, (1934) |
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The
Night of the Party, (1934) |
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Her
Last Affaire, (1935) |
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Lazybones, (1935)
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The
Phantom Light, (1935) |
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Crown
v. Stevens, (1936) |
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The
Edge of the World, (1937) |
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The
Lion Has Wings, (1939) |
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The
Spy in Black, (1939) |
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Contraband, (1940)
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The
Thief of Bagdad, (1940) |
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49th
Parallel, (1941) |
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An
Airman's Letter to His Mother, (1941) |
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“...One
of Our Aircraft Is Missing", (1941) |
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The
Life and Death of Colonel Blimp, (1943) |
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The
Volunteer, (1943) |
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A
Canterbury Tale, (1944) |
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I
Know Where I'm Going!, (1945) |
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A
Matter of Life and Death, (1946) |
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Black
Narcissus, (1947) |
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The
Red Shoes, (1948) |
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The
Small Back Room, (1949) |
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Gone
to Earth, (1950) |
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The
Elusive Pimpernel, (1950) |
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The
Tales of Hoffmann, (1951) |
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Oh...
Rosalinda!!, (1955) |
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The
Sorcerer's Apprentice, (1955) |
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The
Battle of the River Plate, (1956) |
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Ill
Met by Moonlight, (1957) |
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Luna
de miel/Honeymoon, (1959) |
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Peeping
Tom, (1960) |
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The
Queen's Guards, (1961) |
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Bluebeard's
Castle/Herzog Blaubarts Burg, (1964) |
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They're
a Weird Mob, (1966) |
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Age
of Consent, (1969) |
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The
Boy Who Turned Yellow, (1972) |
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Return
to the Edge of the World, (1978) |
"Images are everything in my films, words are like music for
creating emotion". (Michael Powell). Perhaps the fact that
he was born in Canterbury (Great Britain, 1905) was an indication
that Michael Powell would go on to become one of the greatest "storytellers"
in all film history. Michael Powell was already a famous director
when he founded, in 1942, and in collaboration with his inseparable
friend Emeric Pressburger, the legendary production company, The
Archers, about which Martin Scorsese said: "Whenever I see
the logo of The Archers appearing on the screen, I know I'm in for
something unique, a very special kind of experience". Powell's
filmography, whether alone or co-directed with Pressburger, includes
a variety of magnificent titles in themselves evoking memories of
cinema's best moments: A Matter of Life and Death (1946), Black
Narcissus (1947), The Red Shoes (1948) or the magnificent and harrowing
Peeping Tom (1959). The comprehensive retrospective offered by the
Donostia-San Sebastian Festival, together with the publication of
Ian Christie's book, Michael Powell & Emeric Pressburger: Arrows
of Desire, in its now regular co-operation with Filmoteca Española
(Spanish Film Archive), will make it possible to recover these titles
while discovering a part of his cinema which had always remained
somewhat in the dark.
A regular chapter in the Festival retrospective section has been
a cycle dedicated to a classic director, enabling us to appreciate
the little or virtually unknown work of such filmmakers as Robert
Siodmak, James Whale, William Dieterle, William A. Wellman, Gregory
La Cava, Tod Browning, Mitchell Leisen, Mikio Naruse, John M. Stahl,
Carol Reed and Frank Borzage.
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