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Michael Powell  
 


The Life and Death of Colonel Blimp


Izenburua EEBBetan/US Title/Título en EEUU: Colonel Blimp
BFI NFTVA-TIK DATORREN KOPIA/COPY FROM BFI NFTVA/COPIA PROCEDENTE DE BFI NFTVA

General Candy is caught napping on the eve of a Home Guard exercise, and defends himself by recalling his exploits before and during World War I, which lead to an enduring friendship with Theo and a search for his elusive feminine ideal. Accused of being out of date, he acknowledges the need for new tactics to defeat the Nazis, but reaffirms his own values.

Even at the level of its overall debate about ends and means, the film speculates dangerously for the time that a war may not be worth winning if it involves a fundamental sacrifice of principle by the just. Its wit holds at bay the sentimentality that many of its themes evoke; its wilful eccentricity takes it far beyond the confines of most cautionary propaganda. But in the end, it is this great film's elaborate anti-realist, almost allegorical structure that allows it to lament the loss of innocence suffered by both Candy and Britain, and to confront, with childlike wonder, the intimations of mortality.
Ian Christie (Michael Powell & Emeric Pressburger: Arrows of Desire)

 

 


YEAR
  1943
PRODUCTION
  Michael Powell, Emeric Pressburger
The Archers/Independent Producers
DIRECTOR
  Michael Powell, Emeric Pressburger
SCREENPLAY
  Michael Powell, Emeric Pressburger
PHOTOGRAPHY
  Georges Périnal
MUSIC
  Allan Gray
EDITION
  John Seabourne
CAST
  Roger Livesey (Clive Candy), Deborah Kerr (Edith Hunter, Barbara Wynne, Angela “Johnny” Cannon), Anton Walbrook (Theo Kretschmar-Schuldorff), James McKechnie (Spud Wilson)
RUNNING TIME
  163 m.

 
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