Michael Powell
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Birth |
Sep 30, 1905
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Bekesbourne, Kent, England
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Death |
Feb 19, 1990
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Avening, Gloucestershire, England
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Occupation |
Director, Producer, Screenwriter
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Years Active |
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Countries |
UK
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Genres |
Drama
,
Comedy
,
Crime
,
Action
,
Adventure
,
Mystery
,
Fantasy
,
Spy Film
,
War Drama
,
Ballet/Dance
,
Heaven-Can-Wait Fantasies
,
Comedy Drama
,
Romantic Fantasy
,
Crime Thriller
,
Detective Film
,
Melodrama
,
Psychological Thriller
,
Biography [Feature]
,
Docudrama
,
Religious Drama
,
Combat Films
,
Film-Opera
,
Police
,
Musical Fantasy
,
Period Drama
,
Adventure Drama
,
Romantic Adventure
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See Also |
All-Music Guide Entry
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Add New Link
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A one time studio gofer, stills photographer, and comic actor, Michael Powell became one of the most celebrated and controversial directors ever to come out of England. Born in Canterbury, Powell became enamored of films while still a teenager and, after a start in the mid 1920s and a stint as stills photographer and co-scenarist with Alfred Hitchcock in the early sound era, Powell broke into directing in low-budget British thrillers and comedies. In 1937, after directing and writing his first notable movie, The Edge of the World, he moved to London Films where he began his two-decade association with Emeric Pressburger, a gifted young author and screenwriter. Their partnership began shortly after they left London Films (where they collaborated on The Spy In Black, and Powell co-directed The Thief of Bagdad), with the wartime thrillers Contraband and 49th Parallel -- the latter attracted much attention around the world (including an Oscar nomination for Best Picture and an Academy Award for best original story), and resulted in the creation of The Archers, an independent production company through which they went on jointly to write, produce, and direct The Life and Death of Colonel Blimp, A Canterbury Tale, I Know Where I'm Going, and Stairway To Heaven during World War II. These films, with their idiosynchratic humor and point of view alienated many British critics but delighted audiences on both sides of the Atlantic. After the war, Powell and Pressburger made a series of movies that emblazoned their names around the world: Black Narcissus, a story of nuns who are nearly destroyed by their own passions while trying to found a convent in the Himalayas; The Red Shoes, a phenomenally successful film about the life and death of a ballet dancer, whose multi-year run in America and multi-million dollar success made possible such pictures as An American In Paris; and The Tales of Hoffmann, an opera/ballet amalgam of unprecedented stylistic flare and daring. The early 1950s saw a decline in their fortunes, and the partnership dissolved in 1956. Powell continued to make movies of a fiercely personal nature until 1960, when the critical reaction to Peeping Tom -- now considered a classic, about a man who mixes voyeurism, cinema, and murder -- ended his career in England. He worked for American and European television during the 1960s and 1970s, and late in that decade was rediscovered with the help of Francis Coppola and Martin Scorsese, each of whom regarded Powell as one of the most important influences on his own work. Museum retrosepctives, restorations, and reopenings of his classic films followed, along with a multi-volume autobiography that he completed prior to his death. -- Bruce Eder
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Production team:
Emeric Pressburger
(Screenwriter)
,
C.C. Stevens
(Sound/Sound Designer)
,
George R. Busby
(Producer)
,
Jerome Jackson
(Producer)
,
Sydney Streeter
(Production Manager)
,
Christopher G. Challis
(Cinematographer)
,
Hein Heckroth
(Production Designer)
,
Brian Easdale
(Composer
(Music Score)
)
,
Reginald Mills
(Editor)
,
Arthur Lawson
(Art Director)
,
Alfred Junge
(Art Director)
Actors:
Esmond Knight
,
Robert Helpmann
,
Cyril Cusack
,
Henry Caine
,
John Longden
,
Hay Petrie
,
David Farrar
,
Anthony Quayle
,
John Laurie
,
Patrick Macnee
,
Leonid Massine
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|
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1984
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Anna Pavlova
aka A Woman for All Time [1983]
aka Pavlova: A Woman for All Time [1983]
aka Pavlova [1983]
aka The Divine Anna [1983]
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Editor
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1978
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Return to the Edge of the World
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Producer / Actor [Starring] / Director
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1973
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Isn't It Shocking? [TV]
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Actor
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1972
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The Boy Who Turned Yellow [doc]
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Director
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1972
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Boxcar Bertha
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Actor
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1969
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Bluebeard's Castle
aka Herzog Blaubarts Burg [1978]
|
Director
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1969
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Age of Consent
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Producer / Director
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1968
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Sebastian
aka Mr. Sebastian
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Producer
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1966
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They're a Weird Mob
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Producer / Director
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1960
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Peeping Tom
aka Face of Fear
aka The Fotographer of Panic
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Director / Actor / Producer
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1959
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Luna de Miel
aka Honeymoon (U.S. title)
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Director / Screenwriter / Producer
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1957
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Pursuit of the Graf Spee
aka The Battle of the River Plate [1956]
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Director / Producer / Screenwriter
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1957
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Ill Met by Moonlight
aka Intelligence Service [1956]
aka Night Ambush (U.S. title)
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Producer / Director / Screenwriter
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1956
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Oh ... Rosalinda!
aka Fledermaus '55 [1955]
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Producer / Screenwriter / Director
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1955
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The Queen's Guards
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Producer / Director
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1955
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The Sorcerer's Apprentice
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Director
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1952
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The Wild Heart
aka Gone To Earth [1950]
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Screenwriter / Director
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1951
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The Tales of Hoffmann
aka Tales of Hoffmann (U.S. title)
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Producer / Screenwriter / Director
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1950
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The Elusive Pimpernel
aka The Fighting Pimpernel
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Producer / Director / Screenwriter / Actor
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1950
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Gone to Earth
aka Gypsy Blood
aka The Wild Heart
|
Director / Producer / Screenwriter
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1949
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The Small Back Room
aka Hour of Glory
|
Actor / Director / Producer / Screenwriter
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1948
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The Red Shoes
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Director / Producer / Screenwriter
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1947
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The End of the River
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Producer
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1947
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Black Narcissus
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Director / Producer / Screenwriter
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1946
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A Matter of Life and Death
aka Stairway to Heaven (U.S. title)
|
Producer / Director / Screenwriter
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1945
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I Know Where I'm Going
|
Screenwriter / Producer / Director
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1944
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A Canterbury Tale
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Screenwriter / Director / Producer
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1944
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Volunteer
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Actor / Producer / Director / Screenwriter
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1943
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The Silver Fleet
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Producer
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1943
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The Life and Death of Colonel Blimp
aka Colonel Blimp
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Director / Producer / Screenwriter
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1941
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49th Parallel
aka 49th Parallel
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Director / Producer
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1941
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Airman's Letter to his Mother
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Cinematographer / Director
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1941
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One of Our Aircraft Is Missing
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Producer / Screenwriter / Director / Actor
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1940
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The Lion Has Wings
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Director
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1940
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Contraband
aka Blackout
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Director / Screenwriter
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1940
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The Thief of Bagdad
|
Actor / Director
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1939
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The Spy in Black
aka U-Boat 29
|
Director
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1937
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The Edge of the World
|
Director / Actor / Screenwriter
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1936
|
The Man Behind the Mask
|
Director
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1936
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The Brown Wallet
|
Director
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1936
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Crown Vs Stevens
|
Director
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1935
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The Price of a Song
|
Director / Producer
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1935
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Some Day
|
Director
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1935
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Her Last Affaire
|
Director
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1935
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Lazybones
|
Director
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1935
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The Phantom Light
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Director
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1935
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The Love Test
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Director
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1934
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Red Ensign
aka Strike!
|
Director
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1934
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The Night of the Party
|
Director
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1934
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The Girl in the Crowd
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Director
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1934
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Something Always Happens
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Director
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1933
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The Fire Raisers
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Director / Screenwriter
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1933
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Perfect Understanding
|
Screenwriter
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1932
|
Rasp
|
Director
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1932
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Rynox
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Screenwriter / Director
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1932
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C.O.D.
|
Director
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1932
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His Lordship
|
Director
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1932
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Hotel Splendide
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Actor / Director
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1932
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Born Lucky
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Director
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1932
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Star Reporter
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Cinematographer / Director
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1931
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77 Park Lane
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Screenwriter
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1931
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Two Crowded Hours
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Director
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1931
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My Friend the King
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Director
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1930
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Caste
|
Screenwriter
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1930
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The Compulsory Husband
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Actor
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1929
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Blackmail
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Screenwriter
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1927
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The Garden of Allah
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Asst. Director
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1926
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Mare Nostrum
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Asst. Director
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1926
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Magician
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Asst. Director
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Films Presented
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The Edge of the World
|
1937
|
Venice Film Festival
|
Best Original Screenplay (nom)
|
One of Our Aircraft Is Missing
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1942
|
Academy
|
Best Direction
|
49th Parallel
|
1942
|
New-York Film Critics Circle Award
|
Best Direction
|
The Life and Death of Colonel Blimp
|
1945
|
New-York Film Critics Circle Award
|
Best Film
|
The Life and Death of Colonel Blimp
|
1945
|
New-York Film Critics Circle Award
|
Best Direction
|
A Matter of Life and Death
|
1946
|
New-York Film Critics Circle Award
|
Best Film
|
A Matter of Life and Death
|
1946
|
New-York Film Critics Circle Award
|
Films Presented
|
The Thief of Bagdad
|
1946
|
Venice Film Festival
|
Best British Film
|
The Red Shoes
|
1948
|
British Academy Awards
|
Competing Film
|
The Red Shoes
|
1948
|
Venice Film Festival
|
Competing Film
|
The Elusive Pimpernel
|
1949
|
Venice Film Festival
|
Competing Film
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The Wild Heart
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1950
|
Venice Film Festival
|
Competing Film
|
The Tales of Hoffmann
|
1951
|
Berlin International Film Festival
|
Musical
|
The Tales of Hoffmann
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1951
|
Berlin International Film Festival
|
Competing Film
|
The Tales of Hoffmann
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1951
|
Cannes Film Festival
|
Special Prize for Originality of Lyrical Adaptation (win)
|
The Tales of Hoffmann
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1951
|
Cannes Film Festival
|
Best British Film
|
Pursuit Of The Graf Spree
|
1956
|
British Academy Awards
|
Competing Film
|
Luna de Miel
|
1959
|
Cannes Film Festival
|
Fellowship Award (win)
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1980
|
British Academy Awards
|