Dedicated to the work of Michael Powell and Emeric Pressburger and all the other people, both actors and technicians who helped them make those wonderful films. A lot of the documents have been sent to me or have come from other web sites. The name of the web site is given where known. If I have unintentionally included an image or document that is copyrighted or that I shouldn't have done then please email me and I'll remove it. I make no money from this site, it's purely for the love of the films. [Any comments are by me (Steve Crook) and other members of the email list] |
Submitted by Mark Fuller
A Canterbury Tale
By: "S.W."
From: Manchester Guardian
12 May 1944
LONDON, THURSDAY It is seldom that the screen reflects anything of such quiet beauty as "A Canterbury Tale" - starting at the Odeon to-day. Erwin Hillier has brought his camera to bear on Kentish scenery with fine sensitiveness. Here is Canterbury: the scars of war mark the narrow streets, but the tranquillity of the place and the grace of the surroundings fill the mind with peace. It is a modern tale with folklore in it. Sheila Sim's land girl, Dennis Price's English sergeant, John Sweet's American one - and a curious study from the ever-capable Eric Portman - are symbols rather than individuals.
Young John Sweet, a real sergeant from the Middle West, has a casual attractiveness which predicts Hollywood for him.
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