Dedicated to the work of Michael Powell and Emeric Pressburger and all the other people, both actors and technicians who helped them make those wonderful films. A lot of the documents have been sent to me or have come from other web sites. The name of the web site is given where known. If I have unintentionally included an image or document that is copyrighted or that I shouldn't have done then please email me and I'll remove it. I make no money from this site, it's purely for the love of the films. [Any comments are by me (Steve Crook) and other members of the email list] |
Time Out review
A Canterbury Tale
(1944, GB, 124 min b/w) director / producer / screenplay Michael Powell, Emeric Pressburger director of photography Erwin Hillier editor John Seabourne production design Alfred Junge music Allan Gray Cast: Eric Portman, Sheila Sim, John Sweet, Dennis Price, Esmond Knight, Charles Hawtrey, George Merritt, Edward Rigby
Michael Powell's extraordinary film proceeds from the faintly bizarre story of three characters (a land girl, a British sergeant and a US sergeant) who, arriving by the same train in a small Kent village, make friends and set out to unmask the mysterious 'glue man' who pours glue on to the hair of girls out late at night with servicemen. But the film shows a sharp awareness of the tensions underlying a country community in wartime - from ruralresentment of the influx of outsiders to more long-term fears of the decay of a traditional social order. An assertion of stability to counterbalance these is provided by Powell's almost mystical sense of historical continuity, epitomised by Canterbury Cathedral and the Pilgrims' way as captured by Erwin Hillier's lyrical photography. Though infuriatingly difficult to categorise, the film is bold, inventive, stimulating and extremely entertaining.
Allan T Sutherland
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