Dedicated to the work of Michael Powell and Emeric Pressburger and all the other people, both actors and technicians who helped them make those wonderful films.
A lot of the documents have been sent to me or have come from other web sites. The name of the web site is given where known. If I have unintentionally included an image or document that is copyrighted or that I shouldn't have done then please email me and I'll remove it.
I make no money from this site, it's purely for the love of the films.
[Any comments are by me (Steve Crook) and other members of the email list]
(or sometimes Shoo Shoo Shoo Baby)
Who sang it on AMOLAD?
Writer: Phil Moore
- The Andrews Sisters
- Cocktail Hour-Andrew Sisters
Great Ladies Of Song: Vol. 2-Sentimental Journey
Chart Toppers Of The 40's
We know it's not the Andrews Sisters. It's a male singer & doesn't have that "Doo Dah, Doo Day" line.
- Nat King Cole
- Macgregor Years (1941-1945)
Sorry Nat, it certainly wasn't you.
- Sid Collins
- Bing Crosby
- Those Great World War II Songs
Cocktail Hour-Bing Crosby
- Bing Crosby Armed Forces Broadcasts
- WWII Radio-Live 1943-45
WWII Radio Oct 7 & Dec 16 1943
And it wasn't Bing either.
- Geraldo & His Orchestra
- Ivan Dixon
- Stan Kenton
- Joe Loss
- Glen Miller
- Glenn Miller & Army Air Forces
- Phil Moore
- Ella Mae Morse
- From The Vaults: Vol. 2-Vine Street Divas
Very Best Of Ella Mae Morse
Barrelhouse Boogie & The Blues
- Pasadena Roof Orchestra + Swing Sisters
- Eddie Reed Big Band
- While The Music Plays On
- Dinah Shore
- Tennessee Ernie Ford
- Tennessee Ernie Meets The Girl
- Dinah Washington
- Dinah Washington: Anthology
- Found by Lou Volpe
- MP3 found by Lou Volpe That's Frank Sinatra singing it!
Hit Parade of 19 February 1944 (approx 30 mins, Shoo Shoo Baby is the last one played)
Sinatra was number one in the Hit Parade with it.
But the version in the hit parade show isn't quite the same as the first one Lou found.
And neither of them are quite the same as the one in the film. Close, but not the same :(
I always felt that the screams on the version in the film are a bit too choreographed and false. But if, as I suspect, it was a version especially recorded for the film that was based on the Sinatra hit version then it's possible that they decided to add some screams because the Sinatra version had some screams in it.
Note that the date in that file is 19 Feb 1944. Maybe Emeric (who was a musician) heard that while he was originally writing the story. Remember that they originally wanted to make it in 1944/45 but they had to wait for a year to get the Technicolor cameras.
The film version does also seem a bit more like a pure blues whereas Sinatra can never resist swinging it a bit. But I'd like to think that Emeric (or Micky) did originally hear it on the radio so they used it as a radio broadcast in the film. That broadcast did mention the troops fighting for the United Nations. The body known as the UN wasn't formed until 1945 but the term was used before then. And the announcer also says that it's a re-broadcast. I expect it was shipped out on tape or record to the various theatres and then re-broadcast over the radio.